Musica, parole e storie: Ovvero: come si diventa un vero finto musicista (Italian Edition)

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The various contributions to this volume offer a glimpse into an important process of maturation within the Italian American intellectual community. Indeed, the first step in such processes is always the recognition of internal complexity and of a plurality of voices. That this complexity was negated in the past is comprehensible, since ethnic minorities need to show a well recognizable and unified public face in order to gain acceptance. But such acceptance is not in question today, and Italian Americans need to move on and shift from a defensive to an analytical stance.

It is significant that while, until recently, Donald Tricarico was almost alone in paying attention to Italian American youth styles, it is becoming more and more mainstream today to study identity practices among members of Italian American groups. It is only by accepting this basic principle about the way identity processes work that the Italian American community can make progress, and for that reason, I see this volume as a first step in the right direction.

Postscritto a Giorgio Bassani.


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Saggi in memoria del decimo anniversario della morte. I primi tre interventi sono dedicati al ricordo di Bassani. Valerio Capozzo compie un ottimo lavoro di ricostruzione, tramite la disamina della corrispondenza tra Edoardo Lebano e Bassani, di una fase americana dello scrittore. Stimolante e quanto mai originale la lettura in chiave biopolitica di Andrew Bush del romanzo del , Una lapide in via Mazzini.

Sul Bassani potenziale studioso ed emulatore petrarchesco si articola il saggio di Roberta Antognini. Attraverso una decifrazione intertestuale, James T. Chiampi rintraccia ascendenti letterari illustri del Giardino e in altre opere.

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Interrogandosi sul significato di emancipazione, Tim Parks effettua una disamina storica sul Giardino cogliendo un peculiare atteggiamento del romanziere nei confronti delle divisioni sociali e del loro potenziale creativo. Cristina M. Cristiano Spila si occupa del Bassani ecologista, mentre Maurizio Del Ministro prende in esame la causa animalista nella vita dello scrittore. Every culture can be said to have undoubtedly been affected by extraneous influences throughout its development.

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Traces of these effects can be found in the customs, language, literature and art of a culture. The trilingual abstract of each article is an effective strategy, enabling comprehension by scholars of Croatian and Italian Studies alike, as well as a wider audience, and ensures the dissemination of the topic material of each article. Preceded by a one-page preface, presented in both Croatian and Italian, the scope of the entire collection and the research is both outlined and contextualized. Consisting of four review articles, interspersed throughout the collection, eleven original scientific papers, and one preliminary communication, presenting the early development of completely original research centered upon previously unknown artistic findings, the collection presents a wide range of information.

This contact is traced to the beginning of spiritual growth on the Croatian coast, emerging from Latin culture. Similarly, this series of articles employs a variety of research methodologies including literary criticism, linguistic analysis, intertextual and intermedial approaches, meteorological investigation into paremiology, and cultural analysis based upon archeological findings and the creations of goldsmiths.

They bring to the fore the intrinsic linguistic and literary dynamicity of the Adriatic coastal areas while highlighting the fluidity of identity in an area replete with numerous and diverse socio-cultural and historical influences. The article presents original research on a preserved photographic album — Alcuni lavori di Francesco Salghetti-Drioli riprodotti fotograficamente — discovered in Como, Italy.

The photographic reproductions were made by the famous Zadar photographer Tomaso Burato Dubrovnik Zadar ; the album was published in Zadar in April of on the occasion of the wedding of Simeone Salghetti with Emma Drioli. As such, its importance to the history of photography is inestimable.

The collection provides an excellent overview of the subject literature in review articles, presents original research in original scientific papers, and introduces previously unknown research in a preliminary communication. As a result, these conference proceedings are a valuable font of information for those who are new to the field and require a solid foundation from which to begin their research, as well as seasoned scholars desiring to keep up-to-date with contemporary research.

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This collection of essays reinforces the fact that the call for further research in this area is more than justified. Graces Received. Painted and Metal Ex-votos from Italy. New York: John D. Calandra Italian American Institute, The book is organized in the traditional manner for a monograph and catalogue.

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The volume opens with an account of the historical development of the ex-votos written by folklorist and Religious Studies scholar Leonard Bernard Primiano also owner of the collection exhibited at the Calandra Institute ; the subsequent article, written by Sciorra, assesses the importance of the ex-votos for Italian Americans; and the third and last essay, by Professor of Art Kate Wagle, discusses the changes of the ex-votos and their displacement from a strictly traditional religious context to a more secular environment.

The volume concludes with a catalogue of the exhibition. The color reproductions are excellent and include succinct details about material and dimensions of the artifacts displayed. The subject is a vast and various territory which provides a curious and at times dramatic study, for it introduces the reader to a whole range of objects offered in fulfillment of a vow or prayer uttered in some crisis of personal or community history.

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Votive gifts are forms of devotion transferred to Christianity from pagan religions of antiquity; the Etruscans, for instance, made offerings as thanks for answered prayers concerning health and fertility As Primiano explains, the Latin term ex voto short for ex voto suscepto indicates a Catholic votive offering in gratitude for a miracle received 9. One useful elucidation provided by the author, quoting Mariolina Rizzi Salvatori, is related to the form given to the ex-votos, which fall into fixed types.

The two common categories are anatomical ex-voto ex-voto anatomico and painted ex-votos tavolette votive. The least sophisticated and also artistically the humblest of those votive forms is the anatomical ex-voto, made of metal, wood, or wax, which typically represents a small image of a limb or part of the body that has been cured of sickness in response to an appeal to divine intercession. On the other hand, the painted ex-votos draw or symbolize either the peril or crisis in which deliverance has been granted, or alternatively the special favor conceded, together with the figure of the holy being — saint or Virgin — who has granted it in response to a vow.

Primiano, while describing his passion for ex-votos, also addresses the question of commodification and consumption of religious images outside their traditional religious context. As the author suggests, the significance attached to these specific commodities differs markedly from one person buyer to another according to their contexts of consumption Often, votive paintings chronicling the emigration experience are located in churches in Italy as thanksgiving tokens for divine interventions in maritime disasters or accidents of all kinds.

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The practice of showing gratitude for heavenly intercession has continued among Italian Americans in the United States in the form of home altars, yard shrines, or more complex artistic votive structures known as la centa or il cinto She explains that despite the changes in material and production of ex-votos from unique silver or gold handcrafted objects to silver-plated, mechanically mass-produced items, the meaning and the intent remain intact. While most of the elements represented in the ex-votos, including anatomical parts, soldiers, and children, have essentially survived from ancient culture, the montage of those objects with photographs, x- rays, and written narrative reflects a more contemporary and secular culture.

The reinterpretation and the new use of ex-votos by contemporary artists do not mean a loss of their original meaning; rather, it is an acknowledgement of their profound cultural roots. It is intriguing to see how the essays in this volume work together, providing illuminating connections that confirm that the theme of art and devotion in Italy is a rich and rewarding one. But they are also much more — an assortment of pertinent suggestions on the whole subject of votive art in Italy.


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Furthermore, the book makes major contributions toward understanding how people express their needs through religion and how the material world of votive offerings expresses the sacred. Francesca M. Postfazione Gabriella Romani. Milano: Garzanti, Bruck wrote memoirs of the Shoah in a variety of publications, including novels, short stories, autobiographical pieces, and newspaper articles. All of these writings engage the arduous and lengthy process of coming to terms with the past. Bruck wrote in Italian, claiming that the foreignness of this language allowed her a necessary distance from the events she recounts; she therefore constitutes a prominent and relatively early example of a growing literary group, in Italy: translingual and transnational writers, i.

The book Privato is a diptych made up of two biographical accounts with different addressees and tones. Being posthumous, these letters have an acknowledged interlocutor but also, clearly, are addressed to the reading public as the vehicle for preserving and handing down the memory of deceased loved ones — in the tradition of testimonial literature but also of personal memoirs. The dialogue implicit in the epistolary genre provides a potent means of communication between different cultures and different generations, as well as an invitation to the obligation to remember.

Like the book as a whole, this text centers on a number of friends above all others in this group, Primo Levi, whose death in is an important subject of reflection for Bruck and family members, including deceased ones. The running trope of apostrophe to the dead mother brings back to life, as it were, a mother with whom Bruck had a difficult and short-lived relationship. In this interpretive text, Romani rightly notes, for example, the apparent contradiction of the title of this book, which aims to recapture, through the fiction of a posthumous dialogue, an absence: the realm of family and affections evoked by the title is inseparable from the collective outcry against the all-too public horrors of the Shoah.

Romani also discusses the role of empathy in literature about the Holocaust and connects it to the need for empathy in more recent literature by migrant writers: even as the profound differences between these two genres must be respected, both types of literature suggest that diversity invites an empathetic sharing of experiences and of memory.

Leicester: Troubadour, Il film, dunque, testimonia un atteggiamento interiorizzato da parte del regista che conferma un discorso di egemonia da parte del Nord. Vetri Janak Nathan prende in esame il film di Tornatore La sconosciuta e si focalizza sulla doppiezza esistenziale degli extracomunitari e degli italiani, facendo riferimento al concetto di in between di Homi K.

Bhabha in relazione sia alla trama discorsiva sia alle strategie stilistiche del regista. I giovani raccontano gli anziani. Il contributo del VideoConcorso Francesco Pasinetti alla riflessione su invecchiamento, dialogo intergenerazionale e trasmissione culturale in Italia. Venezia: Editrice Cafoscarina, Grazie al comune interessamento sono nate negli ultimi anni alcune iniziative culturali e pedagogiche indirizzate ad un un largo pubblico intergenerazionale. Nel capitolo quinto, ultimo della prima parte, Cavigioli propone il testo delle interviste fatte ai giovani partecipanti al concorso: un tessuto organico in cui si elaborano le motivazioni, i contenuti e gli obiettivi dei diversi progetti filmici e si accenna alle tecniche utilizzate.

Alcune domande sono generali, ad esempio, Come vedono gli anziani e i rapporti tra generazioni?


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Il confronto tra giovani ed anziani, illustrato nel capitolo I da cortometraggi come Cogli la differenza e Fermati e dimmi cosa ne pensi! Collegati al confronto tra giovani ed anziani sono il tema della memoria, trattato nel capitolo II, e quello del territorio, accolto nel capitolo III. La storia lascia un segno che viene raccolto dai giovani nel loro attraversamento dello spazio urbano. Fotografia e letteratura. Torino: Bollati Boringhieri, What is the relation between photography and literature?

Why would a writer be drawn to photography? What good could come of a marriage between the two? Why does photography continue to inspire such peculiar concerns? Are the anxieties it arouses simply anxieties about representation itself? In what sense are photographic and literary representation enmeshed?

None of this, however, is intended to diminish the attention and care Ceserani devotes to the distinctly modern phenomenon of photography and to its perturbing effect on those who have witnessed its emergence and ongoing development. As with most thematic studies, one worries that the mere assembly of examples will substitute and exhaust the need for rigorous argumentation.

Ceserani, however, is no stranger to studies of a thematic stripe, and is an agile enough thinker to sidestep the pitfalls others might not so deftly elude. True, he does not advance any new theory of the relation of photographic representation to other forms of representation, literary or otherwise, nor does he engage in sustained, polemical debate with any of the many critical sources he draws upon of which he seems to have an encyclopedic knowledge.

Similarly rewarding is an even briefer discussion, later in the same chapter, of Roland Barthes , a figure in literary theory who has been seen as a bridge between structuralism and post-structuralism, and thus a promising and problematic figure to examine in light of the discussions over photographic meaning and representation. An especially lengthy reflection is given on the place of photography in the work of Antonio Tabucchi , which, even as a stand-alone piece, is an excellent essay on how recurring themes such as dreams and hallucinations, perception and time, as well as reproduction and rupture, coalesce in the presence of photography in his works.

Ceserani quotes so extensively from the sources he uses as examples that one feels, reaching the end of his book, that one has read parts of hundreds of other books. Much of the pleasure ultimately afforded is that of looking over the myriad fleeting impressions thus gathered. Photography emerges, not as a profanation of reality, but as part of what constitutes our access to reality itself, and as a bottomless reservoir for literary exploration.

La scrittura terapeutica. Saggio su Gianni Celati.

Bologna: Archetipolibri, In her study, Anna Maria Chierici analyzes with great insight the therapeutic function of literary activity as it has been worked out by Gianni Celati since the middle of the s. The most important works of this period are the following collections of short stories: Narratori delle pianure , Quattro novelle sulle apparenze , Verso la foce , Cinema naturale , and Costumi degli italiani But, in these same years, Celati also commits himself to making three documentaries under the influence of the Italian photographer Luigi Ghirri, documentaries that Chierici examines at length, too Strada provinciale delle anime, ; Il mondo di Luigi Ghirri, ; Visioni di case che crollano, Chierici also takes into account all the essays published by Celati in this time period, as well as the long interviews he gave in the last fifteen years, and the bibliography of his work see Bibliografia, The book is divided in two long chapters, preceded by an Introduzione 30 , where Chierici sketches the outline of her argument.

She sums up the coordinates of his early work done under the supervision of Italo Calvino, who was his mentor in the literary world and helped him to produce his first book Comiche, , published by an important publisher, Einaudi. Chierici also retraces here the first Celatian approach to literary language. Therefore, because of the relevant role that perception holds in the Celatian view, the heuristic sense of one of his most important key-words, apparenza, is fully explained and laid out in these pages.

Moreover, this is also the sense of the theatrical experiment conducted by Celati on a text by the ancient Greek playwright Aristophanes the Ploutos in Senegal between and the text of the play is included in the Appendice, Another writer from Emilia-Romagna whose influence is mentioned in these pages is Antonio Delfini.

Chierici closes her study by summing up its most important conclusions, and alludes to future elaboration of the influence of Zavattini, Delfini and Guerra on Celati.