Bokuntinokamisamani (Japanese Edition)
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The Japanese music industry is pretty huge. Some teenage wannabe friends in the UK had a fairly ordinary four-piece and a crazy ambitious manager who took them on tour to Japan three times inside a year. Back home they struggled to get a crowd of at their gigs, but over there with a bit of clever PR and they were selling out venues of ten times that capacity, plus off-loading tons of merchandise. They didn't ultimately make any serious money, because of the high expenses and the deal he'd put them on - but they had a wild time!
Because the entertainment industry in Japan is fucked. For a variety of reasons, ALL cds sold at retail stores are sold at a government-regulated price. It is illegal to sell them for less. This means that if foreign labels want Japanese retailers to carry their product, they have to give them something that merits the higher price.
If the content was identical to the foreign import, there wouldn't be any reason for the consumer to buy the domestic version at the artificially inflated price point and thus no reason for retailers to bother carrying the product. The system, established in , allows owners of copyrighted material to set the minimum retail price of newly released or re-released products , thus eliminating any possiblilty of discounting.
It's not the artists making it, it's the Japanese importer. Japanese consumers have historically preferred album booklets and ancillary materials to be in Japanese, and this necessitates a special run of albums, which is usually paid for by Japanese distributors. The distributor occasionally commissions translations and new art or adjusted art , where appropriate.
Those distributors always add the "Obi", that paper sleeve on the left-hand side of the disc's case unique to Japanese releases. All of these things drive up the price of the album, though, since distributors want to make a cut for the service they provide.
To help offset this, and to keep Japanese consumers paying higher prices for localized albums rather than just buying the import in its original language , distributors often negotiate the addition of "B-side" tracks to help add some value. Many artists today are happy to include them, since recording sessions almost always produce more material than is fit for an album, and since it has become a tradition to put B-sides on Japanese discs. Because of this system, and because the Japanese market is very unique, sales of physical media in Japan have not been affected by the internet to nearly the degree that they have been in the rest of the world.placida.dev3.develag.com/everything-i-learned-in-medical-school.php
ELI5:Why do some artists make Japanese edition of their albums?
Cake Day. Looks like you're using new Reddit on an old browser. ELI5:Why do some artists make Japanese edition of their albums? Continue this thread. Why not just make cheaper cds? And why is it sold so cheaply? What band? Obi Had to google for this.
- ELI5:Why do some artists make Japanese edition of their albums? : explainlikeimfive.
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This doesn't answer the question at all. You're talking about bootlegs, OP is asking about bonus tracks. It still remains speculation, and doesn't answer the question: why would they do this, considering it would involve extra effort and extra costs. I think you're being picky.
Either alone doesn't fully explain it. For a pure marketing explanation, these tracks have to come from somewhere. Because bands submit them. I've read plenty of anecdotes from bands where they deliberately record songs for B-Sides and Japanese bonus tracks.
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